Painting

Thought

Directness

An immediacy of things makes them real. There, everything has yet to be determined as it is given in truth. He who has determined something in advance turns things upside down.

Documentation

About your own business

Schneider understands the painting of himself as a form of expression of his person. That is why he preserves the respective moment of his experience, as he is, with his work when creating the works and is rightly content with what has emerged. Thus he has created a whole abundance of his own works, which probably also say something about him and his existence.

Idea

Liberal arts assignment

Starting from the moment of the present into which a person is born nowadays, certain things already exist, quite rightly. They stand development-historically in a connection with each other. There they form a structure. It is supposed to be something, which one gets to know only with the time in the own life. Knowledge to it one will have to acquire in particular within the own educational area, as one has intended it for oneself.

To the education now some things count simply by nature already to it. There is a known assignment of philosophy, which already exists. That puts them into a context. Their origin is called there esotericism, their developments are transferred later once to techniques or to sciences. In between, the philosophy exists as a model of thinking and carries out the assignment and evaluation of the things of a man, as well as his cognitions. That is supposed to have constituted his education that he finds his support thanks to it.

If the effects of those phenomena discussed with their help have been recognized and formed viable once, then they probably develop almost by themselves already to technology and science. Thus they withdraw finally from the assignment area of the philosophy since they are already recognized and confirmed. If now, however, new esoteric thoughts and areas arise in the history of time, then these are thought through and interpreted sooner or later also by the philosophy, as soon as they have appeared to her valuable enough for it. Meanwhile a philosophy stays in the present or it has not existed.

Schneider's own achievement with respect to the matter has now consisted in somewhat extending such a reference of philosophy. He has transformed the resulting structure to a recursion loop. He now wants to justify the matter with the following words.

Science and technology of the modern age have created a renewed world of other orders. This is a mere assumption, which however will probably have to be confirmed. Probably the truth content of it will be evident by itself. Up to now the author simply proceeds in such a way that he recognizes this as a given.

A changed reality can also be an expanded reality. It provides us humans with a space for identification. But under circumstances it has also already become a place of suppression or rejection. It has been the phenomena of a world also affecting occurrences. These two kinds of it occur. The personality of a person is strengthened by the manifestation of identification. Oppression is also an occurrence and affects us human beings. Those changed features of a changing reality, meanwhile, create changed spaces of thought and different areas of perception in us humans than was common under other circumstances before. There something of it will be true and can have an effect.

If everything has always kept its existence in the framework of the given, then it is weighted meanwhile always anew what has happened. This should be something necessary. We consider the events so thoroughly, because because of their occurrence our environment has changed. We would like to take into account what has arisen in our mental substance because of it. Moreover, the given gradually expands due to an impression of the change of civilization on the descendants. Another, yes, an extended picture of the reality is released thereby and can be experienced by us insistently. Basically, it represents a completion in the most favorable case.

At some point, however, the novelties will probably shift as a phenomenon from the new to the known and then simply to the taken-for-granted and presupposed. Meanwhile, society is looking for and finding its own way of dealing with it. We will probably share such a way, but would not be condemned to do so. It learns to cope with the fact that the way of dealing with the given has changed. The change as a characteristic of the nature is already sufficiently known since the antiquity and therefore it determines our existence with.

The extensions of the known necessarily lead to changed weightings of the real. They change the starting point of the arts as well as that of a phenomenology of world events and their manifestations in man.

At this point Schneider has established the cause of a changing culture of esoteric ways of thinking and discussing, because they have always referred to something, too. The occurrences of an existence in the world have an effect on the concern of a person. What made man would not be fixed for all times, but it certainly conditions him as it is at present. It weakens or strengthens his present position, how that is for him, what he has experienced thereby.

Finally, those concomitant considerations, which have already been formulated particularly clearly by individual people, will have to be judged and evaluated. That will be the task of the philosophers to express themselves in this respect with own thoughts and ideas. It is thus a matter of closing the gap between the newly created and a good that has been released as a result. An appropriate linguistic form for it is to find to its existence. Not at all times and in all places this has taken place in an equivalent way.

Whether a thereby again treated and actually already assigned essence of the world, which has been enriched by an esotericism grown by the extended phenomenology, can lead then also sometime to an improvement of the techniques and sciences, will depend on the content of the things and their usefulness for us humans with.

It is a fact that we could not know that now for the whole, how the evaluations and allocations should turn out one day. We are in the middle of this happening of the change of the conception of a knowledge of the reality only apparently valid and to be presupposed in static way. Since in the last 100 years more than at any time before in such a short period of time factual knowledge has emerged, we as mankind are now exposed to a very dynamic development. We have to do justice to this, which has been nothing easy. To bundle the renewals once to knowledge and then also to reduce to the essential of it, can result in many a focal point for the future. What then happens with us because of such a one, if it will have arisen once, one can foresee surely now here still hardly. But one will be able to find probably comparison moments to similar stunning events within the history of mankind.

Basically, everything still falls to the ground in the same way. That also maintains its existence. A phase of the downward slide can possibly only bring a truth of the things to the surface.

Documentation

View the picture show

Mathias Schneider looks at his own pictures from the old days of his existence again only now that he has made them publicly available on the Internet. In doing so, he once again imagines himself as the designer of them. He can design with his hands, but that would not be all he is capable of doing. He also uses his mind for this. A reception of the own works takes place with him. With the senses but also through the senses he experiences it again, what remained known to him of it or wants to remember him again. His impressions are focused, he bundles them to actual forces of himself and recognizes something by their reflection. What this is and what it constitutes, he would like to tell you here now with pleasure.

He used to develop his pictures with the mental strength of a chess player. He still recognizes himself as such. If he has also changed the profession and now paints or draws such things as they arise there with him, he has nevertheless remained the same.

It should be of a fundamental importance for an understanding of his work that one recognizes that chess player who has created such images in himself and can do so.

Some people have regarded it as not feasible what he has designed there and therefore deny him the own ability. But there the question arises, what kind of knowledge and skills must be acquired to produce such designs.

No chess player of today has the genius to generate such a game again. Just as little has it been the work of a single person that it has come into being. Many people are engaged in this royal game. There it is even assumed that its players can acquire virtues by it while they execute it. So why should Schneider redesign the course of such a wheel, only only to be fair to a foreign claim attitude which would not be to be fulfilled so properly at all?

With the virtue of a chess player, on the other hand, he likes to deal. The game and its mastery are a genuine cultural achievement of man. For Schneider, transcending the impulses gained in the process from the mental level of the inner being into an externalized, physical form is what makes his own style of painting possible in the first place. There he spoke with joy and also in earnest already of the fact that his entire fortune flowed into the picture show. The respective value of a sum of circumstances has been grasped by him thereby, reproduced and united with the time to a whole in the whole.

There are pictures, in the creation of which he thought of that Stirling engine, which he made during his training as a tool mechanic. Others embody his inwardly inclined melody. Some of them he shows with form and color. It has remained a horror for him that the nature of his inner world will be difficult for outsiders to grasp.

He was constantly criticized for his actions and denied success. What malice that has been! - A lot of nonsense has been brought to light in a proud guise and has not resulted in anything good for him. In life, Schneider can only refer to something he has achieved, and he already wants to be content with that. It is good the way it is. It is enough for him to consolidate his cause.

Documentation

A default of acceptance

He who has approached his fellow men with open hands has also expected a corresponding reaction from them. From this Mathias Schneider was able to see who wanted to be his friend. There have been neither too few nor too many of them. This world is in balance and that is how he understood it. Everything has appeared in its place and has endured.

A person's own activity can lead to a disintegration of his goods. With every decision one makes a judgment about the incidents of the life. Meanwhile, the one who has thought about his good, he has done something right. There he has been able to preserve it. Of itself the seed germinates. The light of the sun awakens his spark of life to such a drive in a natural way.

There we place ourselves under the care of nature. None of the heavens of this earth has been such that it has not brought us close to what is ours. The rain, which wets us, has done the rest, that we can feel ourselves in unity with it. There our being is reflected at the given and exposes us to the own appearance. This has certain effects on us. We should not spurn them.

What we have put into the mouth is also there. True to this natural approach we educate ourselves with thoughts to the life and also to the existence in the art form of a language creation and gain knowledge. Each word serves us itself as an example of the created. There we have accepted it as a compound of forces and have understood it also in such a way.

It should be completely the same, what exists on the elementary level, because everything can also be summarized. Meanwhile, the results of our consideration should have stood for themselves. This is the reason why we have named them.

Now we stand there and recite these words to a readership. Empty has been everything with us and so it has remained. Not a single figure has shown itself. No one has been interested in what has been created by me. That is why I have paused.

Some part of my cosmos has been pointed out by me, what I consider nowadays as a waste of my forces. Nevertheless I let it exist and also go on this way. I am already on the way.

That road, which makes the incidents of my existence experienceable, I see before me and leave it behind me. That what the people have regarded as changes have been alone only position shifts and changes of an orientation. At the end they stand there as smartly as they have been before. Again, they have one alignment and one position to own. The only thing that has varied has been their attitude.

The attitude of a person is due to his fundamental attitude towards life. Such an attitude corresponds with the value of one's figure. Again, we perceive it as it is.

Aphorism

From the immediacy

Only something, which has already been formed once at us and has been put on with us, we will be able to understand and to perceive there also as an effect of our life. For this there must be a process which has imparted it to us what has occurred there. We have heard that. In this we have practiced ourselves. A looking of the events has succeeded us sometimes easier and has become more feasible because we have dealt with it recurrently to do something like this.

How does one give a boost to such a thing? - The artist could contribute nothing else to it, than to leave his works in their real state, as they are. They carry their validity rightly in such a way, because they reflect it, how the respective facts appeared with us.

Basically, he is allowed to assemble them with each other and to show their structure with his valence. Thereby everything given stands in a relation to something already existing. Such a thing occurs with every human being and shows it how deeply we are connected with the existence. Such thoughts appear in us, which come from conversations with other people, natural occurrences or other realities and are related to us. Once we have recognized what is given by this, it would not be far to an actual idea about it. There something comes to our mind soon, which corresponded to it. There we can preserve it and look for a way for it to apply or to attach what we have thought with us.

A show of the correspondences of his works is to be admitted by the artist. It will have to be done meanwhile by the viewer, so it would not be known yet obviously what has made it out. A higher quality of the arisen thoughts and ideas already results from itself thereby or such would not appear at all. To look at the respective thing and to evaluate it properly should finally give it some weight with us. There will be something of it tangible. One of the skills of the human being will be there to recognize that the things must be brought into a connection with the own knowledge at all. This is to be done in such a way, even if it may have been the works of another first, which are used for it. After all, this can form ways for our own thoughts on the matter, which will be memorized. Let it be there simply that something has formed.

Thus the existing things have become imaginable as something more or less significant. With it something is to be given to us to which we would like to find an own reference. There we are perhaps inspired by it and take something for us, to which we can refer later. Also, during a discussion of what it meant to us, many a supplementary word can be echoed, and thus something substantial from our midst can also be understood by other people, and perhaps even accepted and carried forward. There the language creation should be a beautiful means for it, in order to equip the thought and idea world of a person with incentives for such an idea of the given.

There we finally realize what kind of inner image has arisen in us. To talk about what we have seen and to express how it has appeared to us will probably complete this process in a fruitful way. Then something happens to us. An imagination is stimulated in us, if it would not even be enlivened by it.

Idea

Addressing your own content

You can deal as a painter to create works for friends and acquaintances or simply produce the images for themselves and their family. If you keep this in mind, you don't need to serve an art market. Such a market thus becomes a mere triviality. There the distant appears without meaning for humans.

The attempt to create something other than joy with one's own painting is to be invalid. Among the moods of the person, his states of mind thus could not always prevail clarity and unity. There it will be good that one has withdrawn.

However, without making clear the lines that one has used as a scaffold to integrate one's thoughts and ideas, no work can turn out well. Then the drawing becomes blurred, meanwhile the feeling for it also sinks into the dew of the unconscious. Entire landscapes are veiled there, light reflections seem confusedly arranged.

Just as man has oriented his existence, he also has to orient his works. Otherwise he will be like a bungler or a dazzler. There shall be no honest way to a successful action if one has disregarded this.

The destiny of us humans is a brought about one, which we have caused to a perhaps uncertain portion once ourselves. If it will be a good one, then one speaks of luck with us people. That is thought so very simply, but it is to be true. Let us recognize the own responsibility for us, so that it becomes also something with us.

Idea

Splitting hairs

Painting is supposed to be the source of all technology, because it represents what we have imagined. With its help the regularities are created and recognized, which condition the world and its conception, but which have also conditioned it since ever. Who wants to understand this culture, must be able to interpret its signs.